Practise the first line
Break the ice.
Practise first.
Try the first minute on your phone, twenty times if you want, before it counts.
Free to start. No card.
Set up. Talk. Get scored.
Four surfaces and one journey: pick a scene, hold the disc and speak, then read the score and what to do about it.
Live session, then the score — the portrait is the content and the disc the only control; the number stands on the page, and delivery is measured from the voice. 
Setup — one line per setting, a red mark on what is required. 
Disposition — one list, the chosen row outlined. - Recommended
Max
Everything, without a limit
- Everything in Pro
- Real Talk — analyze recordings & chat screenshots, Get Advice
- Custom Practice — build any person you describe
- Unlimited conversations
- The most capable voice model
Plans — Max first, and recommended. 
Four surfaces — Home, Practice, Learn, History. 
On the home screen, next to everything else.
You get one go.
No second try, and nobody explains what happened.
- 01
You think too long
By the time you have a line, the moment has gone.
- 02
It comes out flat
You say it, it lands badly, and you think about it all evening.
- 03
You learn nothing
You never find out which bit was the problem. So you do it again.
Pick a place. Start talking.
Pick a place
A café, a beach, a gym, a festival.
Talk
Hold the button and speak. She answers, and she can be cool about it.
See your score
What worked, what did not, and what to say instead.
Pick somewhere to walk into
The queue. Thirty seconds of shared waiting, and an opening if you take it.
1 of 4 · plays the next one automatically
The whole evening, not one line.
Approach anywhere, run the date, take the other side of it, and stay calm when the night turns. Every scene answers in voice and is scored.
In the app’s own words: “Real-world locations and settings to practice improvisation, deduction and emotional intelligence to create rapport with a person.”
From Pro
Approach
94 scenes across 14 venues
Opening with someone who did not expect you, reading what her scene card and her dials are telling you, and getting to a number or a plan — or a clean exit.
- Bar
- Beach
- Café
- Coffee Shop
- Gym
- Park
- Festival
- Campus
- Office
- Street
From Pro
Situational Pressure
Stay calm when someone comes at you
5 scenes
Holding your composure when the other person is not calm: de-escalating without backing down, and leaving with the situation smaller than you found it.
- Jealous Boyfriend
- Angry Relative
- Drunk Person
- Police Stop
- Street Hustler
From Max
Date
She said yes. Listen, then close.
6 scenes
The evening after the approach worked. Most of it is listening; the close is the next date, never a phone number.
- First date, coffee
- Dinner
- Drinks after work
- Walk in the park
- Gallery date
- Second date, cocktail bar
From Max
Reverse Role
He’s opening. Hold your frame.
5 scenes
The other side of everything above: he approaches, with his persistence and smoothness on dials, and you are scored on reading him, holding your frame, and saying yes or no cleanly.
- The regular
- The nervous one
- Won’t take the first no
- The shy one
- Friend of a friend
From Pro
Improv and drills
16 scenes
The reflexes under all of it: accepting what you are given, keeping something running, holding your ground without getting louder.
- Yes, And
- Questions Only
- Random Improv
- Status Game
- Rejection Catch
- Tough feedback
You can practise this.
It is a first minute you have never rehearsed, not a personality you were not born with.
Nobody is watching. She can say no. Try again and again. Warm up first.
Nobody is watching
Your phone, your room. No stranger, no friend asking how it went.
She can say no
Sometimes she is not interested. It never tells you to push. Spotting that is the skill.
Try again and again
Say the same opener twenty times and hear what changes.
Warm up first
Two goes before you head out, so the first real person is not the practice.
Something to say, in any room.
The techniques, and 2,766 things worth knowing about.
- 128
- live scenarios
- 104
- techniques to learn
- 2,766
- things to talk about
- 3
- languages
104 techniques, one at a time
Distilled from 13 sources on conversation, rapport, humour and reading a room. You get the core of a shelf of books without reading the shelf, and each one arrives in the scene where you would actually use it.
Art, music, film, places, people
Paintings and sculpture, songs and genres, films and the scenes worth quoting, world attractions, gestures, symbols, what jobs are really like. Enough to have something to say when the conversation turns to any of it.
Read the room, on purpose
Deduction, gestures, accents, insider terms, what different countries do differently. The observation half of a conversation, which is the half nobody teaches.
- Charisma training26
- Countries195
- Accents in English29
- Famous movies380
- Songs263
- Tattoos372
- World attractions204
- Bizarre country facts197
- Famous paintings195
- Amulets & pendants146
- People worth knowing139
- Sculptures71
- Palm reading67
- Professions & jokes56
- Music genres55
- Insider terms50
- Relationship terms45
- Gestures38
- The art of deduction24
- Screen romance23
- Coffee cup reading21
- Horoscope20
It tells you what went wrong.
Not a verdict on you. Your speed, your pauses, and the moment it turned.
Tap any score
“7 fillers in 3 minutes; pace 142 wpm; target band 130–160.”
Last 14 sessions
Keep practising and the score goes up.
Last night, rated.
The conversation you had, graded on what you said and how it landed. And before the next one, two or three openers for exactly where you are standing.
Upload an Audio FilePros, cons, improvements + a grade on a conversation you actually had.
- A Charisma grade from 0 to 100, with the working shown
- Voice and delivery: depth, intonation, pace, pauses, fillers, steadiness
- The magic phrases you used, and the ones you missed
- The full transcript, turn by turn
- WAV, MP3, M4A, AAC, FLAC, OGG, OPUS, MP4, MPEG or WEBM — up to 25 MB, about five minutes — in English, Spanish or Russian
Generate & Rate ConversationDescribe it, dictate it, or add chat screenshots — the coach reads it in the language it was written in, summarizes it and rates how you communicated.
- What happened, reconstructed from your summary or read straight off the screenshots
- What worked, what to fix, and what to do next time
- How it ended — a number, socials, a plan, an open door, a soft no or a hard no
- Add what you think went wrong, and it tells you whether you are right
Get AdviceDescribe where you are and who she seems to be — get 2–3 openers, where to take it, and what to avoid, tuned to your history.
- The read: what the situation is actually telling you
- Two or three openers, best first, each with why it fits
- Where to take it, with each direction marked high or medium likelihood and a signal to watch for
- What to avoid, and what to do if it stalls
- Then practise exactly that, live
Real Talk is part of the Max plan. Recordings and rated conversations are saved to History and count toward your real stats.
Before you ask.
Do I have to talk out loud?
Yes. You hold a button and speak, and she speaks back. There is no typing.
Is she always friendly?
No. You choose how open she is, and sometimes she is not interested. It never tells you to push — noticing is the skill.
Is it just a guess?
No. Your speed, pauses and filler words are measured from the recording. Tap any score to see the numbers.
What happens to my recordings?
Your voice is used to score the session and nothing else. Transcripts and scores stay until you delete them, and deleting your account removes them. No contacts, photos or location. No ads.
What does it cost?
Free to start, three conversations a week. Pro is $25 a week or $69 a month; Max is $49 a week or $129 a month. Cancelled from the App Store.
How do I get it?
It is on TestFlight for iPhone. Tap Get early access and it takes you there.
How to actually do it
Openers, what to notice, and how long you have.
The excuse, or straight in: two ways to open
Every opener is one of two things. Knowing which one you are doing is most of the job.
Break the ice: say hello in their language
It costs you one word and it almost always works. It can also go wrong in exactly two ways.
Notice one thing: the observation opener
The opener people remember is not clever. It is specific, and it is about something they chose.
Or start with the method in four moves.
Before it counts
Practise the conversation before you have it.
Free to start. No card. Three conversations a week, and nobody hears you.